Instant recording libraries: Classical CD deals

71zpe0gtzsl-_sl1245_Browsing through the Amazon classical music section recently, in search of ideas for Christmas, I once again noticed that CDs are now, in many cases, dirt cheap, especially when ensconced in gargantuan boxed sets. They are not only cheaper than downloads, but also higher fidelity, which is to say for you youngsters out there, better sounding.

In some cases, you can make a single purchase and have an instant and respectable library of classical music.

For instance, a newbie could buy “Karajan: Official Remastered Version,” released in September by Warner Classics/Parlophone, and get 101 CDs at about $1.70 a pop, and a large swath of the Western canon to boot. OK, some of these recordings are mono, but with current remastering techniques these will no doubt sound just fine. The orchestras featured include the Berlin Philharmonic, the Vienna Philharmonic, the Philharmonia and others, in other words some of the best on the planet.

The new complete edition of Mozart, “Mozart 225,” a bestseller, is similarly low-priced, 200 CDs, and some 240 hours of music, for a mere $340.

OK, so you don’t have a couple hundred to blow on CDs, there are plenty of boxed sets for cheaper. I had my eye on the complete Chicago Symphony recordings of the great French conductor Jean Martinon, 10 CDs of wonderful repertoire (by Mennin, Varese, Roussel, Martinon, Hindemith … the Weber clarinet concertos played by Benny Goodman … as well as more common fare) for a mere $19.

Boxes devoted to conductors from the golden age are especially attractive. I have a thing for French conductors (as anyone who reads this blog will know). Decca has released a complete package of the recordings made for the label by Pierre Monteux, 20 CDs for $70, great recordings with the London Symphony, the Vienna Philharmonic, the Concertgebouw and the Paris Conservatory Orchestra. (I probably won’t buy it, though; I have virtually all of it on vinyl.)

Or there’s a hard-to-surpass set of French music recorded by Ernest Ansermet and the Orchestre de la Suisse Romande, 32 CDs of definitive accounts of music by Debussy, Ravel, Faure, Dukas, Martin and others for just $80.

71fgsdyn1yl-_sl1200_Need a set of the Beethoven Nine? Bernstein’s with the New York Philharmonic (no slouch) is $11. George Szell’s exceptional traversal with the Cleveland Orchestra is $13. Slightly higher in price is a compelling Nine led by Monteux. Want some history? You can find Toscanini leading all nine symphonies for less than $9, Furtwangler for $16.

Karajan and the Berlin Philharmonic in the nine Bruckner symphonies (9 CDs): $35.  Bernard Haitink and the London Philharmonic in the nine Vaughan Williams symphonies (7 CDs): $18. Paavo Berglund and the Bournemouth Symphony Orchestra in the seven Sibelius symphonies (4 CDs): $13.

It’s not all orchestral. It goes on and on. The Tokyo String Quartet plays all of Beethoven’s string quartets (there are 16) on 9 discs for … $13. There’s a lot more; go look for yourself.

Many labels have also been releasing huge sets of their general catalog. Mercury Living Presence, justly celebrated by audiophiles, has three volumes, of 51, 55 and 53 CDs, respectively, with the highest priced at $119.

No longer have a CD player? Good portable models are easy to find for less than $30.

Update: The complete works of Stravinsky, conducted by the composer, 22 CDs: $26.

Mozart box outsells Beyonce and other people we don’t listen to

 

91gvjsdmhfl-_sl1500_-1Billboard magazine is reporting that a mammoth Mozart boxed set that went on sale in late October is the “biggest-selling CD act of 2016,” outpacing such heavyweight contenders as Beyonce, Drake and other people we never listen to.

The story isn’t “fake news,” exactly, but it is heavily spun. First of all, CD sales have tanked in recent years; the medium is no longer the preferred way of listening to music. (Downloading and streaming are, though this week it was reported that in the UK, sales of vinyl recently surpassed those of digital downloads.)

What’s more, to get to the Mozart-winning number, Billboard tallied every single CD in the boxed set, which included 200 CDs, or virtually all of Mozart’s music.

If you look at the fine print, Mozart 225: The New Complete Edition, released by Universal Music Group, sold just a little more than 6,000 units to nab the headline.

So don’t expect your loud neighbor to start blasting “La clemenza di Tito” at their pool parties anytime soon.

Still, the story invents a fun little factoid, and maybe it will inspire a few more people to sample some Mozart in the future.

“Mozart’s immortal melodies, no less than The Beatles or ABBA, are in some way part of all our lives,” said Paul Moseley, the director of Mozart 225, thereby becoming the first person in history to use a Swedish pop group from the ’70s  to bolster the reputation of Wolfgang Amadeus.

Review: Pacific Symphony, Carl St.Clair and Jeremy Denk play music by Brahms and Strausses

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My first review for a brand new online publication:

Review: Pacific Symphony. Beyond the Curtain, December, 2016.

photo: Vern Evans

Interview: Maxim Shostakovich (1998)

[From the archives: First published December 7, 1998]

FATHER FIGURE

CLASSICAL MUSIC: Maxim Shostakovich, who conducts the Pacific Symphony this week, devotes his life to championing his father.

BYLINE: TIMOTHY MANGAN

Despite the thick Russian accent and basic English, despite the
impatience that comes from having to deal with the same old
questions, you can still hear tenderness in Maxim Shostakovich’s
voice.  It surfaces whenever he mentions his father.

The 61-year-old conductor is best known as the son of the great
Russian composer Dmitri Shostakovich (1906-1975), and he seems
perfectly happy with second billing.  In fact his professional life
is almost entirely devoted to the Shostakovichian cause.  He holds
no official post with any orchestra, and he likes it that way.

“I’m a free-lance,” Maxim says, “and I conduct all over the
world with different orchestras.  I travel a lot.  It’s great because
it’s better for me, because I can conduct more of my father’s
music.  I try to include a work of my father’s in every program. ”

Read more…

Video: Bruckner Symphony No. 9, Scherzo

Gunter Wand conducts the NDR-Sinfonieorchester.

Cyber Monday Stocking Stuffer: Beethoven’s Nine

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A very underrated set, with the London Symphony, the Vienna Philharmonic and the Concertgebouw, conducted by Pierre Monteux, and the price is right.

Audio: Bruckner Symphony No. 4, Scherzo

Herbert von Karajan conducts the Berlin Philharmonic.

Audio: The Woody Herman Orchestra plays Stravinsky’s ‘Ebony Concerto’

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  1. Moderato.

Review: Simon Rattle and the Berlin Philharmonic perform Webern, Schoenberg, Berg and Brahms at Segerstrom Concert Hall

Happy to make my first appearance in one of Orange County’s oldest publications, The Daily Pilot, established in 1907.

Concert review: Berlin Philharmonic returns with thrilling Brahms and difficult moderns. The Daily Pilot, Nov. 26, 2016.

Interview: Simon Rattle brings the Berlin Philharmonic to Southern California one last time

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It was a pleasure to finally have the opportunity to talk with Simon Rattle, even if only for a short time. My latest for the Los Angeles Times

Simon Rattle’s farewell tour with the Berlin Philharmonic swings into L.A. and Costa Mesa. The Los Angeles Times, Nov. 15, 2016.

Photo: Monika Rittershaus