The stories behind the stories: I won’t assert that they are more interesting than the stories themselves, but they’re not without interest. I’ve learned a lot about classical musicians, both individually and as a group, interviewing them through the years. Composers, to my mind, are the best interviewees. They’re smart, they work alone and they seem to enjoy the opportunity to talk about their craft. Singers tend to live up to their reputation for shallowness and flightiness, I’m not sure why.
You never know what you’re going to get, phoning up or sitting down with a classical musician for the first time. It can be nerve-wracking. I didn’t know what to expect when I phoned the great pianist, intellect, essayist and poet Alfred Brendel. He was one of the all-time best scowlers on stage, glaring at coughers, barely breaking a smile in response to thunderous applause. I was intimidated. It turned out he was an absolute delight, funny, easy to laugh, spilling his tea (and laughing at that), willing and interested to talk and reflect about everything, even his inner self. “Well, I don’t think I’m really driven,” he said. “I’m not a fanatic, I dread fanatics. Fanaticism is something that frightens me. So I have given myself the appearance, or the idea, that I do what I do out of my own free will.” And then he laughed.
Pianist Ivo Pogorelich didn’t laugh at all. He was difficult. I sat down with him for a radio interview once and he didn’t like the microphone the engineer gave him. It fit on his head; he apparently didn’t want to muss his hair. Pogorelich told us that unless he got another microphone, one that sat on the table, he was going to walk, quite the diva. We found a table microphone for him and I proceeded with the interview, delicately.
Jackson State drum majors redefining the art form. The tune is “Get Ready” by the Temptations. Notice the sousaphones.
A short video I wrote (and appear in) for the Pacific Symphony …
Listen to this: Bolero. Pacific Symphony Blog, Sept. 4, 2018.
The latest edition of my classical music newsletter for Pacific Symphony.
- September Concerts Roundup
- Interview: Dennis Kim
- Interview: Meredith Crawford
- Listen to This: Boléro
- Single Tickets
- Connections Series Renamed
- Video: Festive Overture
- Essential Books (4)
Pacific Overtures. September, 2018.
Dennis Kim is the new concertmaster of Pacific Symphony, named in April to the position after a long search, replacing Raymond Kobler, who retired in 2016 after 17 years with the orchestra. Kim just moved to Irvine the other day, but already looked like a local as he waited for a reporter to arrive: athletic shorts, a logo T-shirt and neon-colored running shoes. Sitting on a bench outside a coffee and bagels place, he was checking his cell phone, just like natives everywhere. The only thing that gave him away as a foreigner was the logo on the shirt. It belonged to the Toronto Blue Jays.
Born in Korea, Kim moved to Toronto when he was three months old, grew up and learned to play the violin there. He’s moved here from Buffalo, where he served as concertmaster of the Buffalo Philharmonic for the last three years and drove regularly to Toronto (90 minutes away) to teach there at the Royal Conservatory of Music, his alma mater. He starts his new job in September. You’ll see him in the first chair for the annual Tchaikovsky Spectacular on Sept. 8, at Pacific Amphitheatre, and then at the opening concerts of the indoor season Sept. 27-29, at Segerstrom Concert Hall. In the latter concerts, the audience will get to hear Kim as a soloist in Mozart’s Sinfonia Concertante, K. 364.
I’ll try this once I master the regular trombone.
My latest newsletter for Pacific Symphony, with concert info, an interview of our program annotator, a visit to the Bernstein exhibit at the Skirball, a book review, listening and more.
Pacific Overtures. August, 2018.