Single tickets to Orange County Philharmonic Society’s concerts go on sale today. The Orange County Register, August 30, 2010.
photo: mathew imaging
Single tickets to Orange County Philharmonic Society’s concerts go on sale today. The Orange County Register, August 30, 2010.
photo: mathew imaging
REVIEW: The Pacific Symphony is joined by crossover trio Time for Three in an evening featuring tweeted program notes. The Orange County Register, April 29, 2010. CLICK TO READ REVIEW
ESSAY: Symphony No. 4: Beethoven sees the light. The Orange County Register, April 4, 1999. CLICK HERE TO READ FULL ARTICLE.
This is part of my nine-part series on the Beethoven symphonies, written in 1999. Includes a list of recommended recordings.
That would be me.
Beginning on September 13, I will be writing the People column for the Orange County Register five days a week. I’ll be covering the likes of Lindsay Lohan, Mel Gibson, Zsa Zsa Gabor, Dr. Laura (did I spell those right?) and all the other worthies whom readers can’t get enough of. Drunken tirades, courtroom dramas and sex scandals will be the grist of my mill. No joke.
I will continue to be a music critic, as time allows. How much time that will be I don’t know. I’m guessing about 50 percent, but that might be optimistic. The People column will certainly take a lot of my time and energy. So, we’ll see.
In recent surveys, readers have said that they want this (though they didn’t mention me by name). They want less classical music coverage; more People. I’m trying not to take it personally.
Newspapers are in a crisis, in case you haven’t heard. Papers the size of the Register can no longer afford to have a full-time classical music critic on staff (though there’s certainly enough to write about here). I was one of the last ones standing at a small(ish) market publication.
The irony of this situation is that I’m going to go from being one of the least read writers in O.C. to perhaps its most popular.
I’m not happy about this. But I’m going to do the best I can. And I’m going to try to be cheerful about it.
It’s a job. It’s a sign of the times. It’s weird.
I’ll not link my People columns on this blog, but will continue to link to my classical music articles in the Register and provide original material in this space.
These record jackets are from my own collection. Like a true nerd, I even have some of them framed on my wall. At any rate, click on the thumbnails for larger views. For those of you who like these, there’s one more rather bizarre one below.
Story: Pacific Symphony to tweet during live concert. The Orange County Register, August 20, 2010. CLICK HERE TO READ ARTICLE
Here’s the third article in my series on Beethoven’s symphonies first published in The Orange County Register in 1999.
After ‘Eroica,’ music could never be the same.
By the time I wrote the essay linked above, in April of 1999, I was in the third week (naturally) of my nine-part series on the Beethoven symphonies, and beginning to feel it. Though I had done quite a bit of prior research, the actual writing of the essays was on a tight schedule requiring me to slam each one out in the period of a few days. Not easy for me at the time — and probably no breeze under any circumstances.
I remember being intimidated writing about the “Eroica,” and at least partly for that reason I chose a different tack than I had taken with the First and Second symphonies in doing so. I decided to compare an original instrument recording (led by John Eliot Gardiner) with a modern instrument recording (led by Carlo Maria Giulini) and discuss some of the interpretive issues involved. The result, while interesting in detail, is probably the weakest essay in the series. But who am I to say?
Gardiner, as you know, was coming to town shortly after my series reached its completion to conduct all nine symphonies. Naturally, an interview was set up. Unbeknownst to me, a flak from the Philharmonic Society, which was presenting Gardiner’s performances, sent him a copy of my “Eroica” essay before I interviewed him. Even worse, he read it.
I watched and listened to the video above this evening and enjoyed it. Everyone takes their gloves off and lays into Mozart, no namby pamby. I have to say I prefer my Mozart this way, generally. Friedrich Gulda is obviously a character (what’s with the hat?) but who cares? I like his style too, getting up off the bench and conducting the orchestra. What do you all think?
Music critic Donald Rosenberg, as you’ve probably already heard, has lost his lawsuit against his employer, the Cleveland Plain Dealer, and the Cleveland Orchestra. At least two conductors testified during the trial, which must be some kind of record. Martin Bernheimer (click on his name) provides wise commentary on the case.
I don’t have much to add. Though I was obviously rooting for Rosenberg, I can see why (or I think I can) he lost. From the outside, it looks like the Cleveland Orchestra had every right to complain about Rosenberg’s reviews (though it shouldn’t have) and his newspaper had every right to re-assign him (unfortunately).
What the whole situation points up is that a music critic, like every other reporter, serves at the pleasure of his newspaper. But it rubs both ways. If the newspaper doesn’t back up its music critic 100 percent, he ceases to be an effective music critic, because he can’t say what he has to say, or report what he has to report. His newspaper’s protection and support is the crucial ingredient in his independent voice and freedom of speech.