Single tickets to Philharmonic Society concerts on sale today

Single tickets to Orange County Philharmonic Society’s concerts go on sale today. The Orange County Register, August 30, 2010.

photo: mathew imaging

Pacific Symphony performs ‘tweet-cert’

REVIEW: The Pacific Symphony is joined by crossover trio Time for Three in an evening featuring tweeted program notes. The Orange County Register, April 29, 2010. CLICK TO READ REVIEW

Beethoven’s Fourth — ‘a slender Grecian maiden’

ESSAY: Symphony No. 4: Beethoven sees the light. The Orange County Register, April 4, 1999. CLICK HERE TO READ FULL ARTICLE.

This is part of my nine-part series on the Beethoven symphonies, written in 1999. Includes a list of recommended recordings.

Another music critic re-assigned

That would be me.

Beginning on September 13, I will be writing the People column for the Orange County Register five days a week.  I’ll be covering the likes of Lindsay Lohan, Mel Gibson, Zsa Zsa Gabor, Dr. Laura (did I spell those right?) and all the other worthies whom readers can’t get enough of. Drunken tirades, courtroom dramas and sex scandals will be the grist of my mill. No joke.

I will continue to be a music critic, as time allows. How much time that will be I don’t know. I’m guessing about 50 percent, but that might be optimistic. The People column will certainly take a lot of my time and energy. So, we’ll see.

In recent surveys, readers have said that they want this (though they didn’t mention me by name). They want less classical music coverage; more People. I’m trying not to take it personally.

Newspapers are in a crisis, in case you haven’t heard. Papers the size of the Register can no longer afford to have a full-time classical music critic on staff (though there’s certainly enough to write about here). I was one of the last ones standing at a small(ish) market publication.

The irony of this situation is that I’m going to go from being one of the least read writers in O.C. to perhaps its most popular.

I’m not happy about this. But I’m going to do the best I can. And I’m going to try to be cheerful about it.

It’s a job. It’s a sign of the times. It’s weird.

I’ll not link my People columns on this blog, but will continue to link to my classical music articles in the Register and provide original material in this space.

From the archives: Classical record jackets

These record jackets are from my own collection. Like a true nerd, I even have some of them framed on my wall. At any rate, click on the thumbnails for larger views. For those of you who like these, there’s one more rather bizarre one below.

Read more…

Twitter comes to the symphony

Story: Pacific Symphony to tweet during live concert. The Orange County Register, August 20, 2010. CLICK HERE TO READ ARTICLE

Annoying sounds

We have a neighbor with this car. It’s got one of those mufflers that don’t muffle but that make the car louder (and tougher) sounding. The neighbor must work on his car 40 hours a week in his driveway. Often he listens to thrash rock while he does so. Probably the worst part is when he starts up the damn thing in the mornings and warms it up for 10 minutes. Sounds like a helicopter is landing in our front yard. Annoying.

Behind us, down a little hill, are some people with a pool. It’s summertime and they use it a lot. Our windows are open. Kids splashing and screaming. Fine. No problem. But they also have a boom box going the whole time, for hours and hours. It’s not that loud, really. But you hear the thump, thump, thump of the bass which causes you to ponder whether your life is worth living. Problem.

The refrigerator hum is kind of annoying, don’t you think? Especially when you’re listening to quatuors à cordes in the living room. So is the air-conditioning toggling on and off all the time. Not so bad if you’re not listening to music or watching your stories on the telly, but bad when you are.

Leaf blowers are grating, especially at 7 in the morning. I rather like the sound of a power lawn mower, though, especially in the distance. I love the sound of those Rain Bird rotating lawn sprinklers that go back and forth — chk … chk … chk …tsh, tsh, tsh, tsh — either close at hand or far away. One of my all-time favorite sounds is the whoosh of distant traffic heard through the bedroom window at night. There’s rain, of course, on the plus side, but I do live in California.

Ryan J. Huxtable has surmised that Beethoven, in addition to deafness, suffered from hyperacusis, or “a painful sensitivity to sounds.” It’s pretty common with people with hearing problems, actually. I don’t think I have that, but I am definitely more sensitive than the average person to ambient noise.

There’s this person at work with an annoying voice, but everyone thinks it’s annoying. There are some clocks in our bedroom that sound like Indiana Jones punching a Nazi over and over to me, late at night. Gsh. Gsh. Gsh. I usually put the one closest to me face down on the floor and that takes care of it.

Music in restaurants is almost invariably annoying to me. My ear gravitates to it, and usually it’s awful. Not long ago I was away on vacation, out in the country, and we stopped by one of our favorite little eateries. I mean, it’s perfect. I was in a good mood, and hungry, looking forward to the meal. Serenity showered down upon me from the heavens as we walked in. It’s a little place — we were shown to a table near the kitchen. The cook was listening to Andrea Bocelli. Oh God.

We have a family joke. When we pull up alongside of a car blaring music with the windows down, one of us invariably utters “Thanks for sharing” just loud enough for us to hear. I didn’t say it was much of a joke.

When we lived in Los Angeles, behind our apartment was this guy who (also) worked on his car constantly. He apparently didn’t have anything better to do. His garage was set up as elaborately as a professional mechanic’s. He even had some sort of lift. Inside the garage, the stereo was always going, and it was pointed right at our bedroom window.

The guy would get drunk and go into his apartment to sleep it off and leave his stereo on. Like at 1 in the morning. I went over there a few times and just turned the stereo off myself.

I went over there after midnight one time. He was nowhere in sight, the stereo blasting. I turned it off, grabbed one of his nice tools and threw it in a garbage bin.  I still get a kick out of that story.

‘Eroica’

Here’s the third article in my series on Beethoven’s symphonies first published in The Orange County Register in 1999.

After ‘Eroica,’ music could never be the same. 

By the time I wrote the essay linked above, in April of 1999, I was in the third week (naturally) of my nine-part series on the Beethoven symphonies, and beginning to feel it. Though I had done quite a bit of prior research, the actual writing of the essays was on a tight schedule requiring me to slam each one out in the period of a few days. Not easy for me at the time — and probably no breeze under any circumstances.

I remember being intimidated writing about the “Eroica,” and at least partly for that reason I chose a different tack than I had taken with the First and Second symphonies in doing so. I decided to compare an original instrument recording (led by John Eliot Gardiner) with a modern instrument recording (led by Carlo Maria Giulini) and discuss some of the interpretive issues involved. The result, while interesting in detail, is probably the weakest essay in the series. But who am I to say?

Gardiner, as you know, was coming to town shortly after my series reached its completion to conduct all nine symphonies. Naturally, an interview was set up. Unbeknownst to me, a flak from the Philharmonic Society, which was presenting Gardiner’s performances, sent him a copy of my “Eroica” essay before I interviewed him. Even worse, he read it.

Read more…

Gulda plays Mozart

I watched and listened to the video above this evening and enjoyed it. Everyone takes their gloves off and lays into Mozart, no namby pamby. I have to say I prefer my Mozart this way, generally. Friedrich Gulda is obviously a character (what’s with the hat?) but who cares? I like his style too, getting up off the bench and conducting the orchestra. What do you all think?

Bernheimer on Rosenberg

Music critic Donald Rosenberg, as you’ve probably already heard, has lost his lawsuit against his employer, the Cleveland Plain Dealer, and the Cleveland Orchestra. At least two conductors testified during the trial, which must be some kind of record. Martin Bernheimer (click on his name) provides wise commentary on the case.

I don’t have much to add. Though I was obviously rooting for Rosenberg, I can see why (or I think I can) he lost. From the outside, it looks like the Cleveland Orchestra had every right to complain about Rosenberg’s reviews (though it shouldn’t have) and his newspaper had every right to re-assign him (unfortunately).

What the whole situation points up is that a music critic, like every other reporter, serves at the pleasure of his newspaper. But it rubs both ways. If the newspaper doesn’t back up its music critic 100 percent, he ceases to be an effective music critic, because he can’t say what he has to say, or report what he has to report. His newspaper’s protection and support is the crucial ingredient in his independent voice and freedom of speech.