Domingo and L.A. Opera to bring ‘I due Foscari’ to O.C.

Placido Domingo and L.A. Opera will brave a trip down the 5 freeway into the darkest wastelands behind the Orange Curtain to present a concert performance of Verdi’s I due Foscari.

Click here to read my article in the O.C. Register

Classical Life turns 2

At some point on Sunday, July 15, 2012, Classical Life, as this blog is known, turned two years old. The exact hour of the occurrence is unknown and lost to history. No champagne corks popped, no fireworks launched, no streamers streamed. It was a rather sad occasion, actually, because no one even remembered. “Full many a flower is born to blush unseen” and all that. No, no, don’t say it, we’re fine.

Nevertheless, we thank our faithful readers for their manly support and unflinching patience. We’d be nothing without you, dearest blognescenti.

Here’s looking forward to the terrible twos.

Summer reading

I’ve never quite understood the concept of “summer reading.” On the one hand, it appears to denote a certain kind of book, a page turner, a thriller or some sort of light material suitable for reading on the beach, as if we all spends days and weeks there in the summer months, and don’t read these types of books at any other time of the year. On the other hand, as when various worthies broadcast their summer reading lists, it seems to imply a getting down to brass tacks kind of study, of finally sitting down and consuming all of  “The Decline and Fall of the Roman Empire” or “Don Quixote” or “Ulysses” because it’s good for you and since you’re a professor you have the summer off from your rut of a job. But never mind and at any rate, here are the two books I currently have my head in and I really don’t know what the season has to do with it.

“The Mating Season” by P.G. Wodehouse. It has the reputation of being one of the best, if not the best, of the Jeeves and Wooster novels, but then, don’t most of them? It’s definitely a pip, though, and Wodehouse seems on a roll. The prose glides off his pen. I’ve rediscovered something while reading it, too (I’ve read a lot of Wodehouse). It is best to read his books at a certain pace, not too fast, not too slow … but definitely not too fast. Here’s the opening of the book, which requires a certain tempo (Bertie Wooster, as always in the Jeeves and Wooster stories, is the narrator):

While I would not go so far, perhaps, as to describe the heart as actually leaden, I must confess that on the eve of starting to do my bit of time at Deverill Hall I was definitely short on chirpiness. I shrank from the prospect of being decanted into a household on chummy terms with a thug like my Aunt Agatha, weakened as I already was by having her son Thomas, one of our most prominent fiends in human shape, on my hands for three days.

I mentioned this to Jeeves, and he agreed that the set-up could have been juicier.

‘Still,’ I said, taking a pop, as always, at trying to focus the silver lining, ‘it’s flattering, of course.’

‘Sir?’

‘Being the People’s Choice, Jeeves. Having these birds going around chanting “We Want Wooster.”‘

Now, if you just skimmed that or read it too fast (as people do when reading blogs), you will have missed the best part, the mot justes (if that’s the word I want) that give the passage not only a quality that defines the character of the narrator (a lovable upper crust boob) but its zing. I give you chirpiness, decanted, thug, fiends, human shape, juicier and chanting, among others.

Read more…

Campoli plays Monti’s ‘Czardas’

The wonderful Italian-British violinist Alfredo Campoli (1906-1991) plays Monti’s “Czardas.” Sure, it’s candy, but beautifully done.

I’ve only recently discovered Campoli. I have a terrific recording of him performing the Tchaikovsky Violin Concerto that I actually listen to on purpose. It’s right up there with Oistrakh’s recording, in my opinion.

Long Beach Opera – 2013 season

Long Beach Opera continues to put it out there:

Jan. 27, Feb. 2-3: “The Fall of the House of Usher” (Philip Glass)

March 24, 30: “Unicamente La Verdad” (Gabriela Ortiz)

May 11, 18-19: “The Tell-Tale Heart” (Stewart Copeland); “Van Gogh” (Michael Gordon)

June 15, 22-23: “Macbeth” (Ernest Bloch)

Pretty good, what? And this company has found its audience. It expects and appreciates the unexpected.

Stravinsky drinks Scotch, consults dictionary

That’s composer Nicolas Nabokov (cousin of Vladimir) he’s chatting with. If I’m not mistaken, Orson Welles is doing the voice over.

Pacific Symphony to offer free park concerts in Orange County

Funny, the orchestra is performing more classical music in its park concerts series than it did July 4 at Verizon.

Click here to read Pacific Symphony to perform free park concerts

Happy 4th

Andy Griffith explains Romeo and Juliet.

Alec Baldwin donates $1 million to New York Philharmonic

Donning a couple of different hats, working across multiple platforms in the hopes of a good branding opportunity, I give you …

Alec Baldwin donates a million to N.Y. Phil

Inspired or lame? (Round 2)

July 4 is on the horizon so I feel that it’s time for another round of Inspired or Lame?, in which YOU, dear blognescenti, decide if a given program is up to snuff or not, before it is even performed!

Here’s the concert description from the Pacific Symphony’s website:

“Orange County’s favorite 4th-of-July celebration! A showcase of The Eagles’ mega-hits like “Take it Easy” and “Hotel California” headlines our extravaganza – which also includes an 80th birthday tribute to celebrated film composer John Williams, patriotic favorites, our traditional salute to the U.S. armed forces and a brilliant fireworks finale!”

A tribute band, Windborne, will join the orchestra for The Eagles’ mega-hits. But wait, there’s more!:

“The audience will have a chance to text vote for the final piece of the first half: either ‘E.T.’ or ‘Star Wars.'”

(Which one will it be? “E.T.” or “Star Wars”? The tension is killing me.)

And so we ask …