Conductor Carl St.Clair and the Pacific Symphony perform Mahler’s Symphony No. 5 tonight through Saturday in Segerstrom Concert Hall. Here’s a program note on the work I wrote a few years ago:
Gustav Mahler composed his Symphony No. 5 in the summers of 1901 and 1902 in Maiernigg on the Wörthersee, a beautiful alpine lake in southern Austria. In 1899, the composer had purchased land there and by 1901 a lakeside villa, built to the composer’s specifications, was ready for occupation. He also rented a wooded hill above the villa, upon which he built a small cottage and to there Mahler would retire to compose in peace and quiet. The cottage still stands today, the home of a Mahler museum.
It’s hard to imagine this symphony – dark, turbulent, gigantic, in every way Mahlerian – coming out of that quaint cottage. The joyful, bucolic vision of heaven that ends the Fourth Symphony is more like it. But the Fifth was a departure for Mahler in several ways. It was his first symphony in 15 years in which he didn’t use the human voice. The musical substance is less vocal, more purely instrumental, in design as well, Mahler leaving behind the “Wunderhorn” folk songs that had inspired his earlier symphonies. Further, the Fifth coincides with the composer’s new interest in counterpoint, fueled, at least in part, by his recent acquisition of the complete works of Bach.









