Program note: Mahler’s Fifth

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Conductor Carl St.Clair and the Pacific Symphony perform Mahler’s Symphony No. 5 tonight through Saturday in Segerstrom Concert Hall. Here’s a program note on the work I wrote a few years ago:

Gustav Mahler composed his Symphony No. 5 in the summers of 1901 and 1902 in Maiernigg on the Wörthersee, a beautiful alpine lake in southern Austria. In 1899, the composer had purchased land there and by 1901 a lakeside villa, built to the composer’s specifications, was ready for occupation. He also rented a wooded hill above the villa, upon which he built a small cottage and to there Mahler would retire to compose in peace and quiet. The cottage still stands today, the home of a Mahler museum.

It’s hard to imagine this symphony – dark, turbulent, gigantic, in every way Mahlerian – coming out of that quaint cottage. The joyful, bucolic vision of heaven that ends the Fourth Symphony is more like it. But the Fifth was a departure for Mahler in several ways. It was his first symphony in 15 years in which he didn’t use the human voice. The musical substance is less vocal, more purely instrumental, in design as well, Mahler leaving behind the “Wunderhorn” folk songs that had inspired his earlier symphonies. Further, the Fifth coincides with the composer’s new interest in counterpoint, fueled, at least in part, by his recent acquisition of the complete works of Bach.

Read more…

St. Louis Symphony plays Strauss, Rouse and Hindemith

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In today’s Orange County Register online, I review last night’s performance of the St. Louis Symphony conducted by David Robertson. Here’s the opening:

“A professional orchestra has performed a piece of music by a living American composer for the first time in Orange County this season. It happened Monday night in Segerstrom Concert Hall. Not a single member of the listening public was injured. On the contrary. When it was over, the American piece received a hearty standing ovation.”

Click here to read the whole thing, or pick up a copy of tomorrow’s newspaper.

photo: Darius Milhaud, Paul Hindemith and Pierre Monteux. Courtesy Foundation Hindemith.

Interesting developments: OC Varsity Arts

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After a decade of giving away their product for free online, and losing their shirts, newspapers are finally thinking about print again, in ways big and small. I note that in today’s L.A. Times, the TV grid is back, just two weeks or so after it was hacked. (Obviously, print readers spoke up. The Times had told them to look up the TV listings online.)

My own paper, the Orange County Register, is once again investing big in print (while not forgetting digital; a paywall will go up online shortly). We’ve hired something like 90 reporters since our new owner took over in July, and increased pages by about 50 percent. (One of the new hires that I’m most excited about, film critic Michael Sragow, starts this week. Michael Sragow!)

Print is for old people, you say. Not so fast. The Register is at least thinking about young readers in some of its new innovations in print. Our vigorous coverage of high school sports with OC Varsity is paying big dividends from what I understand.

Today marks the launch of another new section — OC Varsity Arts — which I think may be unique in the country. Designed for print (though at least some of it is available online for free, for now), it is meant to cover the world of high school arts in Orange County in much the same way that OC Varsity covers high school sports. It’ll be published every Sunday, and include eight pages or more of arts coverage. New staff has been hired to work on it.

There’s been a lot of interest in it so far. I wasn’t so sure about the section at first, but after seeing OC Varsity Arts take shape over these last few months, I’m thinking it’s a pretty good idea.

Click here if you’d like to peruse, but you really should pick up a copy of today’s paper to see it … in print.

photo: Manzanar, by Ansel Adams; Library of Congress

Review: Tafelmusik connects with ‘House of Dreams’

In today’s Orange County Register online, I review last night’s Tafelmusik performance, an integrated theatrical presentation called “House of Dreams.”

Click here to read my review, or pick up a copy of tomorrow’s newspaper.

A chat with David Robertson

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I spoke with conductor David Robertson on the phone a few days ago. He leads the St. Louis Symphony in a program of Richard Strauss, Hindemith and Rouse on Monday night at Segerstrom Concert Hall. He’s a great interview — friendly, talkative, super intelligent. We spoke at some length, and time ran out before I could even ask all my questions.

“We’re clearly having too much fun here,” he told me when he had to go, another interview on the docket.

Click here to read my interview, or pick up a copy of Sunday’s Orange County Register.

photo: Scott Ferguson

Hey, neighbor

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So, our next door neighbor knocked on our door one evening not long ago. We don’t know him, or them, very well at all, and in fact don’t usually speak. We maybe wave once in a while, but more often than not don’t even do that.

He wanted us to sign a permission form that the city we live in requires if you do any substantial remodeling of your home. Well, it’s not exactly a permission form, but a notification form — to let your neighbors know that work will be done, and, possibly, noise will be made. We had to get our neighbors to sign the same form when we had our roof replaced several years ago.

Anyway, my wife signed my name on the form. Now, the neighbor has gotten all friendly, which is fine, except I don’t know his name. Every time I go out front when he’s out, he shouts, “Hi Tim!” or “How ya doing, Tim?” and I just go, er, “Hey, how are you?” or, just now, “Good evening,” trying to sound cheery and nonchalant and, like, of course I know your name. I’ve even made several attempts to avoid him lately. Last week, pulling up to my house after work I saw that he, too, had just gotten home and was gathering up his mail. I turned right, drove around the block, and came back after he was gone.

This happens fairly often at concerts, too. I’m not bad with names, generally, but more folks know my name at concerts than I do theirs, just because of the position I’m in. Even if at one point I have known the person’s name, it may have been six months or years since I last saw him or her and, sorry, the name is just no longer in my memory bank. I feel stupid, and try not to show that I do.

I attempted to find the neighbor’s name online, by looking up his address. No luck. I’ve toyed with the idea of peeking at his mail, but haven’t done it yet. I think I’ll ask the guy across the street, whose name I know, to see if he knows my neighbor’s name. But I bet he won’t.

Pacific Symphony announces 2013-2014 season

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Mendelssohn’s Violin Concerto! “Carmina Burana”! Gah!

Seriously, though, there are some interesting things on the schedule.

Click here to read my article, or pick up a copy of tomorrow’s Orange County Register.

Review: ‘Der fliegende Hollander’

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In today’s Orange County Register online, I review last night’s performance by Los Angeles Opera of “The Flying Dutchman.”

Click here to read my review, or pick up a copy of tomorrow’s newspaper.

photo: Robert Millard

Peter Sellars stages John Adams’ ‘The Gospel According to the Other Mary’

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In today’s Orange County Register online, I review last night’s performance of John Adams’ mammoth oratorio “The Gospel According to the Other Mary.”

Click here to read my review, or pick up a copy of tomorrow’s newspaper.

photo: Craig T. Mathew/Mathew Imaging

Review: Academy of St. Martin in the Fields, with Alisa Weilerstein and Inon Barnatan

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In today’s Orange County Register online, I review yesterday’s concert given by the Academy of St. Martin in the Fields.

Click here to read my review, or pick up a copy of tomorrow’s newspaper.