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Mozart’s ‘Rondo all Turca’ arranged by Volodos and played by Yuja Wang

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Mozart, piano, Yuja Wang

July 23, 2015

7 Comments

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  1. MarK

    It is only fair to include the actual perpetrator of this crime:

    Unfortunately, Mozart’s performance of the original is not available.

    Permalink, Reply
    July 24, 2015 3:51 pm
    • Harry Kirschner

      Shades of Louis Moreau Gottschalk, especially around 1:45 and beyond. Good stuff, great encore fodder, and inventive beyond tweaking tempos.

      Permalink, Reply
      July 24, 2015 6:09 pm
  2. MarK

    Then there is of course this rendition from several decades ago that may have given Lang Lang his idea of the piece’s tempo:

    Permalink, Reply
    July 24, 2015 4:17 pm
  3. Julie

    I’ll go with Yuja and Arkasha, carrying on the golden age tradition of hyper-virtuosic encore hijinks.

    Permalink, Reply
    July 24, 2015 11:52 pm
  4. MarK

    Certainly, “tweaking tempos” alone would not be satisfying, but fortunately for us, both GG’s and LL’s renditions of the piece show their genuine musical inventiveness in many other ways, such as their use of rubato (slight rhythmical fluctuations within the main speed), dynamic shadings, articulation, voicing and so on. This kind of inventiveness is much more subtle than adding lots of notes, but it is no less artistically valuable.

    Permalink, Reply
    July 27, 2015 1:48 am
  5. Harry Kirschner

    I’m sure LL’s encore is wholesome and nutritious what with the rubato, shading, and the voicing. But I don’t want layups at a slam dunk contest or broccoli souffle for dessert. Volodos playing Volodos and Wang playing Volodos would send me to my car with a big grin wondering where they hid the extra pianist. So long the concerto or recital preceding to provide the vitamins and minerals balanced among the food groups, I say bring on virtuosic encore hijinks.

    Don’t think Gould was doing an encore so I’ll leave him out of this.

    Permalink, Reply
    July 27, 2015 10:16 pm
  6. MarK

    Leaving the meal issue for foodies to evaluate, my feeling is that the basketball analogy does not really work because slam dunk contest always takes place BEFORE an all-star game as a prelude to it, unlike an encore which is always being played AFTER the main event, i.e. the concerto or recital program. So, even basketball people understand that flashy stuff is great but the real thing is more important. As for the recordings in question, creating fresh listening experience while not changing or adding a single note is for me no less impressive and exciting than performing a clever virtuosic arrangement of a popular piece.

    Permalink, Reply
    July 29, 2015 9:05 am

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