Violin virtuoso Ray Chen breaks out of the mold. The Orange County Register, May 8, 2015.
photo: chris dunlop
Violin virtuoso Ray Chen breaks out of the mold. The Orange County Register, May 8, 2015.
photo: chris dunlop
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When i heard his recording of Tchaikovsky’s Concerto on the radio recently, i was certainly impressed by the high violinistic quality of his playing but was decidedly unconvinced by the interpretation: far too many unnecessary rhythmical liberties and/or distortions for my taste.
I actually haven’t heard his Tchaikovsky (I can only stand so much). Interestingly, perhaps, Chen says his favorite violinist is Oistrakh, who imo is unbeatable in the Tchaikovsky concerto.
Isn’t Oistrakh in fact ‘the violinist’s violinist’? The one that most violinists still mention first?
He’s the favorite of many, yes. A certain violinist I know counts Leonid Kogan as his favorite.
For a relatively short time in 1950s and 1960s, when he was young and healthy, Kogan could certainly play violin very well. Overall though, he never impressed me much with any kind of musical individuality: an admirer of Heifetz, he imitated his idol wittingly and unwittingly in many ways, while being naturally influenced by Oistrakh too. So, as a result, a hybrid that was utterly unconvincing for my taste.
Well, many people do say something like that about Oistrakh, but i would not use the words “in fact” because it is such a subjective issue. In my experience, the name “most violinists still mention first” is Jascha.
Sorry for my misplaced apostrophe: “violinists’ violinist”