Review: Young musicians impressive guests at Pacific. Orange County Register, Jan. 9, 2015.
Pacific Symphony / Hussain, Hadelich / OCR review
One comment
Comments RSS and TrackBack URI
Leave a Reply Cancel reply
This site uses Akismet to reduce spam. Learn how your comment data is processed.
Support Classical Life
Recent Comments
- CK Dexter Haven on A brief defense of reviewing
- Paul Bodine on On recommending things
- tmangan on The Hobbification of Music Criticism
- tmangan on On recommending things
- Paul Bodine on On recommending things
Blogroll
- Alex Ross: The Rest is Noise
- All is Yar
- Arts & Culture / Voice of OC
- Arts & Letters Daily
- Arts: New York Times
- ArtsJournal: Music
- Classical Voice North America
- Clef Notes
- Composers Doing Normal Shit
- Deceptive Cadence
- Emphasis Dance
- Iron Tongue of Midnight
- Kenneth Woods — A View from the Podium
- Montonous Forest
- Night After Night
- On An Overgrown Path
- Opera Chic
- Opera News
- Out West Arts
- Pacific Symphony blog
- Parterre Box
- Please Enjoy!
- Robert D. Thomas/Class Act
- San Francisco Classical Voice
- Slipped Disc
- Sounds and Fury
- The Misread City
-
Recent Posts
- A brief defense of reviewing
- On recommending things
- Review: ‘Lullabies From the Liszt Chamber,’ Nov. 14, 1994
- Review: Los Angeles Philharmonic plays Messiaen in Costa Mesa
- Review: ‘Premiere of Samuel’s Apollo and Hyacinth’, December 6, 1989
- Review: ‘Pair Skillfully Meet Musical Challenge,’ January 12, 1998
- Review: Previn at the LA Phil, January 1992
- Review: Itzhak Perlman in recital, March 1995
- Happy New Year
- ‘Christmas Every Day’ by William Dean Howells
Archives
- February 2019 (1)
- January 2019 (7)
- December 2018 (4)
- November 2018 (4)
- October 2018 (6)
- September 2018 (9)
- August 2018 (3)
- July 2018 (7)
- June 2018 (3)
- May 2018 (4)
- April 2018 (3)
- March 2018 (4)
- February 2018 (5)
- January 2018 (3)
- December 2017 (5)
- November 2017 (7)
- October 2017 (9)
- September 2017 (10)
- August 2017 (6)
- July 2017 (7)
- June 2017 (12)
- May 2017 (8)
- April 2017 (7)
- March 2017 (11)
- February 2017 (7)
- January 2017 (19)
- December 2016 (11)
- November 2016 (9)
- October 2016 (8)
- September 2016 (14)
- August 2016 (10)
- July 2016 (12)
- June 2016 (15)
- May 2016 (18)
- April 2016 (19)
- March 2016 (19)
- February 2016 (20)
- January 2016 (16)
- December 2015 (15)
- November 2015 (17)
- October 2015 (27)
- September 2015 (18)
- August 2015 (10)
- July 2015 (14)
- June 2015 (14)
- May 2015 (16)
- April 2015 (17)
- March 2015 (17)
- February 2015 (17)
- January 2015 (17)
- December 2014 (19)
- November 2014 (21)
- October 2014 (13)
- September 2014 (14)
- August 2014 (11)
- July 2014 (11)
- June 2014 (12)
- May 2014 (16)
- April 2014 (14)
- March 2014 (12)
- February 2014 (14)
- January 2014 (17)
- December 2013 (13)
- November 2013 (19)
- October 2013 (15)
- September 2013 (20)
- August 2013 (11)
- July 2013 (20)
- June 2013 (15)
- May 2013 (17)
- April 2013 (15)
- March 2013 (17)
- February 2013 (13)
- January 2013 (15)
- December 2012 (8)
- November 2012 (14)
- October 2012 (12)
- September 2012 (11)
- August 2012 (8)
- July 2012 (16)
- June 2012 (9)
- May 2012 (12)
- April 2012 (15)
- March 2012 (11)
- February 2012 (16)
- January 2012 (13)
- December 2011 (10)
- November 2011 (15)
- October 2011 (16)
- September 2011 (14)
- August 2011 (11)
- July 2011 (12)
- June 2011 (15)
- May 2011 (13)
- April 2011 (20)
- March 2011 (13)
- February 2011 (16)
- January 2011 (10)
- December 2010 (16)
- November 2010 (12)
- October 2010 (16)
- September 2010 (14)
- August 2010 (19)
- July 2010 (13)
- February 2010 (1)
- March 2009 (1)
- November 2008 (2)
- March 2006 (1)
Classical Life
Regarding the last sentence of your review: two fine pieces immediately come to mind – Cantus in Memoriam Benjamin Britten by Arvo Part (7′) and the wonderful Musique Funebre by Witold Lutoslawski (13′).