From “Romeo and Juliet,” of course. One of my favorites. Yuri Temirkanov conducts the Royal Stockholm Philharmonic Orchestra.
Prokofiev: ‘Montagues and Capulets’
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Wonderful piece. The intro is a beautiful example of using extreme dissonance for a stunning dramatic effect in a strictly tonal musical context. And i am grateful to Maestro YT for keeping the middle section (3:24) in virtually the same tempo as the main subject (1:23). Many conductors slow that lyrical episode down considerably, thus ruining the unity of the piece, which may be justified by the choreography when performed as a fully staged ballet, but not when played by a symphony orchestra as a concert suite. Drastic and sudden changes of character can be beautiful and extremely effective when they are achieved without the lazy “help” of predictable tempo changes.