Jacques Thibaud (1880-1953), French violinist. Library of Congress.
Below, the first movement of Bach’s Brandenburg Concerto No. 5, with Jacques Thibaud, violin, Roger Cortet, flute, and Alfred Cortot, piano. Recorded May, 1932.
Jacques Thibaud (1880-1953), French violinist. Library of Congress.
Below, the first movement of Bach’s Brandenburg Concerto No. 5, with Jacques Thibaud, violin, Roger Cortet, flute, and Alfred Cortot, piano. Recorded May, 1932.
May 1, 2011
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Fascinating find! Spritely and dance-like! Uses a tight vibrato for energy, in contrast to using more bow speeds in lieu of most of the vibrato.
Thanks, Mari … I was wondering what made his sound different.
I always felt that Thibaud was a violinist that played, so to speak, “by the seat of his pants” when he was hot he was hot as a fire cracker! Oh, but there were times that when he was off..and when he was off, I hate to say it, he could not get himself right..like his recording of the Brahms VC..had I been him, I would have burned that master copy! But he had a sound that could not be replicated! I believe that he was an inspiration to Francescatti, who came along behind him, as I hear little traces of the Thibaud style in Francescatti! Thibaud had to relearn his absolutely remarkable bowing technique after a war injury! He slides are another thing that are very unique and somewhat remind me of the charming Kreisler slide..but this is what makes a master..one can listen just a few moments and identify the performer. Very few players today have such remarkable style.
The tone is sweet and pretty but the intonation is all over the place and the style does not fit the music. No, i can’t really enjoy this one. His playing does not sound particularly attractive to me in this recording.