By Timothy Mangan, Musical America, Feb. 25, 2019
David Lang’s the loser, presented by LA Opera in its West Coast premiere February 22 and 23, works on the principle of musical mesmerization. It relies on a single voice relating its hour-long tale in the first person in a kind of unrelenting tuneful singsong. The accompanying quartet of instruments, latterly a quintet, burbles, stutters, goads and echoes sparingly in support, with limited sets of notes. There is no action, just a man in a tuxedo on a platform, feet planted, looking at us as he tells the story.
Lang’s theater piece — calling it an opera would be a stretch — was presented as part of the company’s Off Grand series for alternative opera. Bang on a Can, of which Lang is a founding member, produced. The venue was the Theatre at Ace Hotel, a restored United Artists movie palace from 1927, located in a rapidly transitioning area, still with seedy trimmings, of south downtown. The audience was seated in the large, ornate balcony, no one downstairs. In the dark, one could see baritone Rod Gilfry mounting a steep set of stairs until he stood on a small square landing with rails, in mid-air before us. Cue the lights. If he had even wanted to stroll while he sang, he would have had to go downstairs. He didn’t.
Classical Life 