Here’s my preview article on the Pacific Symphony’s upcoming “Decoding Shostakovich” festival. Among others, I speak with Solomon Volkov of “Testimony” fame.
It’s all in the music: Decoding Shostakovich. Orange County Register, Jan. 22, 2013.
Here’s my preview article on the Pacific Symphony’s upcoming “Decoding Shostakovich” festival. Among others, I speak with Solomon Volkov of “Testimony” fame.
It’s all in the music: Decoding Shostakovich. Orange County Register, Jan. 22, 2013.
January 29, 2014
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I will have to look at the Shostakovich Wars page and see what the evidence there is for the veracity of Testimony since I’ve seen so much convincing evidence of it being a fraud. Do you have an opinion of it, Tim?
After speaking with Volkov and others, I believe “Testimony” to be true.
Can you give some reasons why you think that? I’m curious.
Some of the reasons were off record, I’m sorry to say. But they helped convince me.
Other than that, there were a lot of things. I have to say that speaking with Volkov, well, he comes off as a supremely reliable narrator.
Another is that I have gotten over some of the objections to “Testimony,” namely that there is no tape of the conversations Volkov had with Shostakovich. (He took notes in shorthand.) Well, so what? So Volkov “composed” the book using the notes he took of what Shostakovich said. That’s what you have to do sometimes, as a writer and journalist.
I talked to Maxim Shostakovich many years ago, and he said he also thought “Testimony” was reliable. Many other musicians have come out to vouch for its validity. I was fascinated, too, that one of Volkov’s critics refused to comment for my article.
So it sounds like Volkov’s “mistake” was to call it the memoirs when it should have been billed more as a book in first person based on the interviews he did (or whatever shorthand name there is for something like that).
Well, maybe. The subtitle makes it clear though — “as related to and edited by Solomon Volkov.”