A Classical Music Blog by TIM MANGAN
From “Romeo and Juliet,” of course. One of my favorites. Yuri Temirkanov conducts the Royal Stockholm Philharmonic Orchestra.
classical music, music videos
June 1, 2014
Do you want to comment?
Comments RSS and TrackBack URI
Wonderful piece. The intro is a beautiful example of using extreme dissonance for a stunning dramatic effect in a strictly tonal musical context. And i am grateful to Maestro YT for keeping the middle section (3:24) in virtually the same tempo as the main subject (1:23). Many conductors slow that lyrical episode down considerably, thus ruining the unity of the piece, which may be justified by the choreography when performed as a fully staged ballet, but not when played by a symphony orchestra as a concert suite. Drastic and sudden changes of character can be beautiful and extremely effective when they are achieved without the lazy “help” of predictable tempo changes.
Fill in your details below or click an icon to log in:
You are commenting using your WordPress.com account. ( Log Out / Change )
You are commenting using your Twitter account. ( Log Out / Change )
You are commenting using your Facebook account. ( Log Out / Change )
You are commenting using your Google+ account. ( Log Out / Change )
Connecting to %s
Notify me of new comments via email.
Enter your email address to subscribe to this blog and receive notifications of new posts by email.
Join 240 other followers
Create a free website or blog at WordPress.com.
The Neutra Theme.
Get every new post delivered to your Inbox.